During the past few weeks we've attended a batch of noteworthy events - both large scale & small format - that we'd just like to single out (below) in this synoptic overview ... just a few events, that is, out of numerous readings/presentations, dance performances & films seen in and around the New York Metro area.
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| Renata Adler |
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| Center for Fiction |
On April 16th,
a petite, rather thin,75-year-old Renata Adler - idiosyncratic journalist, novelist &, well, tendentious film critic - appeared at The Center for Fiction to a standing-room-only crowd in conjunction with the reissue by NYRB "Classics," the book-publishing arm of The New York Review of Books, of her only two published (short) novels: Speedboat (1976; winner of the Ernest Hemingway Award for
Best First Novel) and Pitch Dark (1983). Typically, during these sorts of events, Ms. Adler read from her two most celebrated novelistic works, and from other sources (a new novel, some reviews) ... and generously answered questions, both of a personal and professional nature.
Still quite the character, Adler also submitted to a lengthy interview, posted online at The Center web site where she spoke of "creating sentences, weathering
controversy, dealing with the necessary annoyance[s] of computers," as well as admitting to her feelings of awe when facing the likes of master fiction writers such as Isaac Babel & Henry James - and, surprisingly, in facing Oprah.
According to The Center for Fiction event handout & thorough online publicity, Ms. Adler was born in Milan and
raised in Connecticut. She received a B.A. from Bryn Mawr; an M.A. in Comparative Literature from
Harvard (working under I.A. Richards & Roman Jakobson); a doctorate from the Sorbonne where she studied philosophy, structuralism & linguistics under the tutelage of Claude Levi-Strauss; and a J.D. from Yale Law School, along with an
LL.D. (honorary) from Georgetown. Adler became a staff writer at The New
Yorker in 1963 and, except for a year as the chief film critic of The
New York Times, remained at The New Yorker for the next four
decades. Her books, in addition to the two reissued novels mentioned above, include A Year in the Dark (1969); Toward a
Radical Middle (1970); Reckless Disregard: Westmoreland v. CBS et al.,
Sharon v. Time (1986); Canaries in the Mineshaft (2001); Gone:
The Last Days of The New Yorker (1999); and Irreparable Harm: The U.S.
Supreme Court and The Decision That Made George W. Bush President (2004).
The reading/presentation proved interesting, even galvanizing in spots, and Ms. Adler's face & her voice will be etched in our collective memories for some time to come. She graciously signed the colorful new NYRB paperback editions of Speedboat ("a novel, a memoir, a lyric essay?") & Pitch Dark ("a book of questions, questions that bedevil" the protagonist, Kate Ennis ... which adds up to [according to The Boston Globe] "a moving, infuriating, tantalizing book") amidst enthusiastic guests, with their cups of wine, who had just composed the rather full & involved audience.
Just so you know, The Center for Fiction, located at 17 East 47th, between 5th and Madison (tel. 212/755-6710), offers numerous programs, focusing on writers (short story writers, memoir writers); writing processes; seminars & master classes; literary fiction writing, crime fiction, novels, novelists ... and many of the events are free. Do check out their web site and you will find, for example, that the celebrated novelist, James Salter, will be reading from (and signing) his new novel, All That Is, on the evening of May 15th at 7:00. Might not be too late to reserve tickets & attend!
If you do check out their web site, you will find out immediately that The Center for Fiction - which was founded in 1820 as the Mercantile Library - "is the
only organization in the United States devoted solely to the vital art of
fiction." The Center's stated mission consists in encouraging
"people to read and value fiction and to support and celebrate its creation and
enjoyment." They go on to state that ...
With all our resources, including our exceptional book collection,
our beautiful
reading room, our expanding website, and our ever-growing array
of creative
programs, we seek to serve the reading public, to build a larger
audience for
fiction, and to create a place where readers and writers can share
their passion for
literature.
The Center for fiction is the only not-for-profit literary organization in
the U.S. exclusively dedicated to "celebrating fiction" ... working "every day
to connect readers and writers." And, The Center is clearly growing, cultivating an audience for its varied & various programs and, in my view, is indeed succeeding in creating a nexus where writers & readers can share their passion for literature!
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| The Center - Bookshop |
Finally, it might be to your advantage to visit The Center Bookshop, on the ground floor of their historic building (again, at 17 East 47th St.) to witness the large selection of new and used volumes and "gifts for readers at great prices." The Center reminds us that beyond the web-based bookstore, "we still maintain an old-fashioned bookshop where visitors can find exciting new voices,
undiscovered gems, beloved classics and books signed by many of the leading
writers who are appearing at The Center, along with lit t-shirts, note cards and
more! We stock all reading group books, and all of our stock is 25% off
the cover price, with an additional 10% off for members.
Used books start at just $2!"
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| M. Proust |
I look forward to becoming acquainted with fellow fiction enthusiasts at The Center where we can chat about, listen to - and indulge in - the work of such varied writers as Claire Messud, Jim Shepard, Jamie Quatro, James Salter, Sam Lipsyte, Rivka Galchen, Don DeLillo, Louis Begley, Roxana Robinson, Luis Alberto Urrea, William H. Gass, even Marcel Proust ... and many, many more!
If you plan on attending an event at The Center for Fiction, I'd suggest a visit to nearby Darbar (for lunch or dinner; at 152 E. 46 St., Tel. 212/681-4500), an Indian resto & lounge, with friendly service that is, according to Zagat, "dependably delicious as well as affordable." It is, indeed, a friendly spot, with an attentive & helpful wait staff delivering "the goods" from a kitchen adept at preparing extremely tasty Indian delicacies - from appetizers to Tandoori breads, Tandoori entrees to chicken, lamb & goat mains, as well as fish courses and succulent vegetable main plates, like Eggplant Korma (cubed eggplant prepared in a creamy sauce; @ $11.) or Eggplant Bhartha (baked eggplant sauteed with onions & tomatoes; @ $11).
On this particular visit, three of us ate quite a lot of food - a few appetizer plates, an entree each, an order of Garlic Naan, coupled with plentiful Basmati rice, a few glasses of cold Indian beer, and a glass or two of Malbec) - all adding up to a small feast for less than $30. per person! The best dishes proved to be the Chicken La Jawab (or chicken cooked with ginger, garlic, tomatoes & chilies and sprinkled with fresh herbs, ginger & spices; @ $13) ... and the Chef's Special Chicken Malai (chicken simmered with aromatic spices in a cream sauce; @ $13).
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| Garlic Naan Bread |
Two of the appetizers proved superbly tasty: the Crab Cake (a chunk of Maine crab flavored with curry leaves & ginger; @ $10) and the Gobi Manchurian (cauliflowers sauteed with ginger, garlic & soy sauce; also $10). Indeed, there is much on the rich Darbar menu to explore upon a return trip!
This past weekend (May 17th-18th) Jazz at Lincoln Center mounted a fete to NEA Jazz Master & 16-time Grammy award winner, Mr. Chick Corea. And well they should, as, according to one spot-on (anonymous) source, Chick Corea has attained "living legend status after four decades of unparalleled creativity and an artistic output that is simply staggering."
Currently, "Impressionism, Fashion & Modernity," is just such a show, just such a spectacle, well worth a visit ... a must see that is ending, regrettably, next week. If you make your way to The Met soon, you will witness eight galleries replete with fabulous modernist/impressionist paintings, sculpture & fashion items, for example, that are well known (e.g., by Manet, Renoir, Degas) and others that are, simply, new to you.
